I just checked on the Kickstarter this morning and we are FUNDED for Welcome to Miskatonic University!  Whooooooo!


If you have no idea what I’m talking about, you can click here to check out my previous blog post where I talk in detail about the anthology project.

There’s still time to back the Kickstarter if you want to be sure to reserve your copy in advance, and just a reminder that they’ve also got a stretch goal to fund the second volume, It Came from Miskatonic University which has even more awesome Lovecraftian stories.  Here’s more info about that:

“In the second, It Came from Miskatonic University, the setting and mood shift slightly as some of the barriers to that unknown are stripped away. So either the main character (or the whole setting) already knows some of the secrets to the unknown or the protagonist is themself part of the “unknown,” being a part of that secret world—whether a Deep One trying to save her human girlfriend or a powerful sorcerer on a mission—and thereby becoming a direct window to that unknown for the reader. These are the narratives where weird fiction blends with fantasy and science fiction. When the unknown has been revealed, accepted, and possibly even incorporated into the setting, we are flitting across weird fiction’s borders with other speculative fiction. It’s almost as if you’ve been learning a thing or two during your stay at MU.”

You can read more about it in this third interview with Scott Gable, which no lie, posted about an hour after my blog post went live on Wednesday.

Thanks, and stay tuned for updates as this project goes to print!


Welcome to Miskatonic University Kickstarter

Hi all!  I have some pending news I wanted to highlight today, which is a little different from my usual M.O.  Those who stop by will note that I like to announce whenever one of my stories is available to read, either online or when the publication drops.  Consider this something like a pre-announcement.

My Lovecraft-inspired short story, Through Cryptic Caverns, the Shoggoths Come at Night has been selected for inclusion in the upcoming anthology, Welcome to Miskatonic University brought to you by the fine folks at Broken Eye Books!  I had a lot of fun writing for this one; here’s what to expect from the anthology in their own words:

Welcome to Miskatonic University brings you modern tales of good ol’ MU. Each story shows a slice of college life at this storied and magical institution, steeped in the occult and part of the strange town of Arkham. Come visit this fascinating New England university—where science and magic, tradition and experimentation go hand in hand—and the quiet, secretive town on which it relies.”

My own contribution is the story of Bernice Jackson, a closeted southerner looking to get as far from home as her mother will allow.  She takes up residence in Waite Hall, where the campus – and her classmates – are not always what they appear to be…

Unfortunately you can’t read it yet, since this story’s publication is pending funding from their Kickstarter.  I’m a firm believer in advertising a product rather than soliciting donations, but if you back the Kickstarter for at least $7 you get a copy of the digital anthology, so this is more like reserving a pre-sale copy.  And hey, if you want to spring for a hard copy ($20 – $35) I’d be happy to sign it if you send it my way!

They’re funding two anthologies, with my story appearing in the first volume.  I read over the bios of my fellow contributors and their stories looks pretty cool as well.  Here’s a little more regarding what types of stories are in the two volumes:

“The first, Welcome to Miskatonic University, represents the first half of that spectrum. These are the tales with the unknown at their core, where relatively normal people in a relatively normal world come face to face with the unknown, and we get to see what happens. These are the stories most tightly anchored to our reality, to what we now. In the second, It Came from Miskatonic University, the setting and mood change a bit. And this isn’t a binary—not an either-or; it’s a spectrum with gradation in how these elements change. In these tales, that next layer of secrets have been stripped away. (It makes perfect sense that, after a century of uncovering secrets, a college might not be the same as it was.)”

If you want to know more about the project you can check out the Kickstarter page, or read up on the publisher’s interviews with A.C. Wise and Hellnotes.  Thanks for checking it out, and if it sounds like your cup of tea then I’d encourage you to contribute to the Kickstarter to make sure you get a chance to read it.

Thanks in advance!

Bards and Sages 2017 Writing Competition

I am over-the-moon excited to announce that I placed first (!) in the 2017 Bards and Sages Annual Writing Competition!  I got the news a couple days before we crossed over into 2018 but couldn’t share until the official announcement went out this week.  Suffice it to say that I needed those days to collect my thoughts, lest my post on the matter be a series of excitedly jumping gifs.

(As opposed to just the one.)

Anyway, I’m really excited about this one because in addition to being my first win, the piece I wrote, Confessions of a Post-Modern Galatea, was one of my very first completed stories.  The original version wasn’t much more than a flash piece, but over the years it was revised and revised and revised until about a year ago, when it settled into its own at just over 6k.  I’m very proud of all the work I put into it, and extremely excited to share it with the world.

You should be able to read it as part of the Bardic Tales and Sage Advice X Anthology, set to premiere in August of 2018, most likely.  (I’m guessing based on past release dates.)  And if you want to get in on the action yourself you should check out information about next year’s competition, due to post in about April.

I’m really glad I kept working on this one for as long as I did, and I’m incredibly thankful for my writing group for giving me advice, edits and support over the last few years as I worked on this and many, many other submissions.

A strong start to 2018; here’s hoping it continues.


“Inner Beauty is for Suckers” now available at The Arcanist!

I’m excited to announce that my latest short story, “Inner Beauty is for Suckers” is now available to read on The Arcanist!

This story was originally conceived for a prompt given in the NYC Flash Fiction Competition, about a year ago.  I’ve signed up for NYC’s Short Story Challenge this year, so if you want to flex your writing muscles and see what comes of it, you should definitely check it out.

And while you’re at it, check out the many other flash pieces over at The Arcanist!  I plan on doing a full Publisher’s Spotlight on them sometime this month, so in the meantime catch up on a little light reading to see what kind of stories they dig.

That’s all for now, folks!  Have a Happy New Year and I’ll see you in 2018!

Phobos: Deep Black Sea now available!

I’m pleased to announce that my latest short story, “The Shipwrecked Sole Survivor” has been published in Phobos Issue Four: Deep Black Sea! This issue is now available in print on and should be available later on for Kindle.

If you’re interested in dark tales of what lies beneath a calm sea then you will love this issue!  It contains thirteen short stories, flash fiction and poetry including one by yours truly.  Check it out and be sure to leave a review so others know what you thought!


You may remember Phobos from the Publisher’s Spotlight  feature for this issue nearly a year ago.  They are currently closed for submissions but be sure to check out their website and follow them on twitter for updates on their next theme.

“Mistress Morphine” now available in HAVOK!

My story, “Mistress Morphine” is now available in the latest issue of HAVOK magazine!

Love comics?  Epic battles of good vs. evil?  Then you will love this issue!  There are nine original flash fiction stories, including “Mistress Morphine” by yours truly.

Check it out today!

For more information on how to submit your own writing to HAVOK and Splickety Publishing check out their info in Publisher’s Spotlight.

A (Year) in the Life

NYC’s Flash Fiction competition is coming up next month, which marks my one-year anniversary of renewed writing.  I’ve talked about the competition before, but what do I mean when I say that it got me going again?  What was I doing before?

Let’s break it down into some hard numbers:

Calendar Year 2012 2013 2014 2015 2016*
Total Submission Count 9 16 8 6 25
Increase/Decrease over last year 78% -50% -25% 317%
Total Unique Pieces Submitted 3 7 3 5 14
New Pieces in Circulation 3 4 1 1 10
% of Subs that are New 100% 57% 33% 20% 71%
Pieces Written for NYC 2 3

*through May, 2016

It’s safe to say that not only are my numbers up, but they’re better than they ever have been.  My 2016 (through May, mind you) is better than my last two years combined in terms of productivity.

I kept my NYC submissions listed separately, since they were written for the contest, not for publication.  Two of the pieces I wrote for them I revised and became part of my “New Pieces in Circulation” for 2016 once I submitted them to publishers outside of the competition.

And that’s just quantity.  In terms of quality, let’s look at this list:

Calendar Year 2012 2013 2014 2015 2016*
Total Acceptances 1 1
Contest nods 3
Rewrite Requests 2
“Please Send More” 1 4 3 7
Personal rejections 2 4 2 4

This one takes a little more explaining.  Contest nods are anything that placed (or came close to placing) in a contest, so the two rounds of the NYC Short Story Contest that placed me into the next round were counted, as was my piece for Molotov Cocktail’s Flash Phenom.

Rewrite requests aren’t acceptances, but they are pieces that are under consideration that I’m working on revising.  Hopefully these will one day become acceptances.

So then what’s that lone little acceptance for 2016?  Well, it isn’t out yet, but stay tuned next month when I let you know where to find my latest story!

So, what can you learn from this?  Am I just bragging? (Well, ok, maybe a little.)  But the point is, it’s so important to practice your craft.  Start more projects.  Finish what you start.  Submit, submit, submit.  One number goes up, they all go up.

And don’t ever let a bad week, or bad month, or bad year get you down.

NYC Midnight: Flash Fiction Challenge

This is going to read less like a Publisher’s Spotlight and more like a personal story, because it is.  If you only care about the contest, skip to the  quick and dirty.  The rest of you, feel free to join me in a little reminiscing.

The end of July will mark the one-year anniversary of me getting my writing life back on track.  I was in a bit of a writing funk.  Diving in here and there but never really devoting the time and energy to my writing that I ought to.  It had been a year and a half since my short story, Needs More Salt, was published and I didn’t have drive to keep it up.

Then in July I saw an ad on Facebook for a contest: NYC Midnight’s Flash Fiction Challenge.  The entry fee was steep – if you know me at all you know I hate paying entry fees at all, so $50 made me cringe.  But skeptical as I was, I did a little digging and here what I found out:

  • NYC Midnight runs four contests a year on a rotating basis, one of which is the Flash Fiction Challenge (FFC).  (The others are screenplay-related or for Short Stories.)
  • The entry fee for the FFC gets you:
    • two rounds of competition with two unique sets of prompts
      • an additional two rounds should you place high enough in your groups
    • official feedback from the judges
    • unofficial feedback from the forums should you choose to participate
    • access to prizes, given out to the top 10 writers of the final round competition

So, why did I join?

I hadn’t written finished anything in a awhile.

Lord, what would I become without a deadline?  Don’t answer that.  For perspective, I had the idea for a superhero story sitting around in my computer since early 2014.  I only wrote/finished it on May 6th because of a certain Heroes vs. Villains contest deadline.  (It was well received; thank you for asking.)

I liked the odds.

Because they split the contestants into different groups, you’re only really competing against 30 – 40 writers.  That said, some of the finest writers I’ve had the pleasure to meet were in my group.  That hurt my chances a bit, but on the plus side, we made friends with each other on the forum and I was invited into a writer’s group who have kept me active over the last year, even when the contest wasn’t in session.  So, win-win.

Also, you only have to beat out half of the group (roughly) to get points for this contest.  With two rounds built into your entry fee you have two chances to score high enough to move on.  Your points for both rounds are tallied together, so even if you get 8th place in round one (8 points) and 5th place in round two (11 points) you’re still going to do better than someone who took 1st (15 points) in round one and 14th for the second (2 points), even if you didn’t get in the top 3 for either round.

It was an even (more or less) playing field.

George R.R. Martin would not win this contest.  If you want to win you have to come up with good ideas – fast – and polish it as best as you can within the time limit.  Prompts like “Action-Adventure, a Dumbbell, and an Underwater Cave” will throw anyone for a loop.  You could get a genre that you’re not familiar with, but chances are, there are other writers in the group who are just as lost as you are.

I got to read the competition.

Here’s the thing: when you’ve collected as many rejections as I have you start wondering whether you’re really any good.  Did I come really close to getting published or am I at the bottom of the pack?  I did my first round of the FFC without any beta readers at all – no help, no outsiders allowed.  I did that partially to test myself.  How well can I write when left to my own devices?  It turns out I’m pretty good at being creative under pressure.  The judges didn’t think so, but that’s another matter.

The judge’s opinions are subjective, but at least in this contest you get to read what the competition wrote (assuming they submitted it on the forum, which is locked to outsiders, so it counts as a workshop, not a first publication.)  Some are going to be better than yours, and that’s great!  Learn from them!  Be awed and take notes!  And also, some are not.  Be kind.  Give advice to help someone improve.  That’s what you’d want for your piece, right?  Advice, not mockery?  And yes, enjoy the ego boost it gives you when you find a piece that isn’t quite as awesome as yours.  You worked hard.  Celebrate.

Oh, and one more note before moving on… Just because you thought someone else’s story was awful, doesn’t mean you get to trash it if they scored higher than you.  Not cool.  To be 100% on the level, the judging for this contest is erratic.  I got 0 points on both of my stories.  That sucked.  Hard.  You put on a brave face, you bitch to your friends, you send a note to the contest runners if you think the judges (legitimately) screwed up.  But do not trash the other contestants.

I couldn’t can’t afford a writer’s workshop.

Listen, writing conferences are expensive, take up valuable time, and rarely exist within driving distance to me.  96 hours of balls-to-the-wall writing without having to leave my apartment?  Literally hundreds of stories to read through on the forums to critique (and compare myself to?)  Yes, please.

And that’s my biggest take-away from this experience.  For me it’s not about the contest (because again, the judging isn’t always the best) but about the writer’s workshop portion.  If you really want to get your money’s worth, invest in the forums.  There’s a camaraderie with participating with thousands of other entrants and seeing what you all managed to crank out.  And really, $50 for a writer’s workshop is the cheapest I’ve ever heard of, and I don’t even have to take time off work to join it.

For the record, I also participated in the Short Story Challenge and made it all the way through to the final round, something I’m extremely proud of despite my last story not placing in the finals.  There were many talented writers, so being among the top 40 was no small matter.  I say this because the judging is erratic, not necessarily bad.  And that’s frustrated a lot of participants to the point that I can’t blame them for not joining.

But then again, what other contest is this transparent?  In any other contest you get to read your entry and maybe a handful of the finalists that get published at the end.  You’re tossed into a group with a thousand other participants all writing to the same prompt hoping that you’ll rise to the top.  That’s a lot of pressure and a lot harder than out-writing 15 other people who got the same crazy prompts 48 hours ago.  And you just have to trust that the judges are ranking you fairly, you don’t get feedback, you don’t get ranked, you don’t know.

Am I going to participate this year?  I’ve thought about not.  Partially because I’ve had the experience, I’ve met my people, I don’t technically need to pay to play anymore, I’ve got the motivation and support I need already.  And Lord it is expensive.

But I can honestly say that my writing has improved and I know it will continue to improve by participating.  I know I need a deadline to get things done, and I know it forces me to test my skills by making me write for genres I’d never considered.  I hate writing Mysteries, but I wrote one I’m really proud of that’s currently under consideration at a publication.  That’s a story I never would have thought of, much less written, and it’s close to being a new credit on my resume.  How cool is that?

And more than anything, I really don’t think I can wait another year after this for it to come around again.  Even though I placed higher in the Short Story Challenge, it was a much more stressful experience.  I need the rush of 48 hours, which is just enough time to get an idea and get it out the door before I overthink things.

So yeah, sign me up!

All right, all right, I promised you some quick and dirty details, so here we go:

  • In their own words: “The Flash Fiction Challenge is an international creative writing competition, now in its 8th year, that challenges participants to create original short stories (1,000 words max.) based on genre, location, and object assignments. “
  • Genres they accept: Depends on your prompt.  “When the competition begins, writers are placed in groups where they will be judged against other writers within their same group.  Each group receives its own unique genre, location, and object assignments (see past examples here).
  • Word count limit: 1,000
  • Time limit: Prompts are e-mailed at midnight on Friday-into-Saturday.  Submissions are due by midnight on Sunday evening.
  • Entry Fee: The entry fee is US$45 by the Early Entry Deadline of June 16th and US$55 until the Final Entry Deadline of July 21st.  Click here to register.
    • You also can get $5 off the entry fee just by tweeting.  Click here to make a post to your Facebook or Twitter account to receive a promotional code for $5 off.
  • Prize: The top 10 entrants after four rounds of participation get cash prizes.
  • Schedule: 
Early Entry Deadline: June 16, 2016
Final Entry Deadline: July 21, 2016
Challenge #1: July 22-24, 2016
Challenge #2: September 16-18, 2016
Challenge #3:* November 4-6, 2016
Challenge #4:* December 9-11, 2016

*Note: you must place high enough to participate in Challenge #3 & #4.

For more Information:

How the Contest Works

The FFC 2015 Winning Entry


Who to Contact if I have trouble registering/technical issues

My handle on the Forums, if you want to be friends.  You can also check out my stories for FFC 2016 if you’re a registered member.  (I share all my stories in the forums but I have removed the links to stories written for previous contests.)

Still not sure?  Check out the entry on Jen’s Pen Den that convinced me to join a year ago or ask me questions below in the comments.